Five ways to tell the time
in the room, ten more, or more
in all the others: so many clocks
this tiny apartment teems
with time's procession, its corridors
unsparing, large enough
only for one.
Five ways to tell the time
and only I'm awake to see
four lights to switch and darken
all the rooms, the kitchen, the hallway
as I drift pad-footed over hardwood and linoleum.
Everything's too quiet so
I fill the room with noise
as if running scalding water
to fill a room with steam.
I bring the sounds, to clear me
to decongest. To make the harsh air
a little softer on my aching throat,
straining laden lungs. To shift the weig
suffer not in silence by RoseTintMyWorld, literature
Literature
suffer not in silence
"But, of course, the Gemara itself says that learning Gemara is a masculine activity. Right there in Sota: "Teaching your daughter Gemara is like teaching her trifles". Women aren't included in Gemara-learning, never have been, just as they aren't included in the Minyan. It isn't the Jewish way. Nu, does a woman wear tzitzit or tefilin? The Rishonim knew what they were doing, when they set up those rules, and Hashem knew what He was doing when He guided them. Who in the world do these women think they are, trying to replace traditions thousands of years older than them? It's not a woman's place to be learning Gemara. None of those women are s
I never told this to anyone. I saw it all through a window. I wasn't eavesdropping or anything. I was simply walking in the garden, in broad daylight. No one saw me standing there.
It was Saturday, and the back window on the Morgan house faced out on the narrow strip of rock-riddled green between the house and the dividing fence, its grasses untended and grown long, riddled with flowering weeds. I'd often come through there, ducking in that tall grass, which reached as high as my navel. I'd dig up rocks and take them home to wash and polish and set on my windowsill.
The Morgan house was tall, three stories stacked narrowly up. Its timber w
The dust was everywhere, in the air, in the sounds it carried, making them slow and faraway, like they were covered in cotton. But we all pricked our ears, and the hot iron of our fear seemed to slice through the dust and bring the small sounds closer to us. We had to listen, because they would be listening. They were coming for us.
All of us there, running and crouching, running and crouching. All around us the smell of our sweat and the sun baking the earth. The distant glint of metal on the horizon and the rising dust cloud let us know they were close and coming closer. We'd been told they would be here but hoped that they wouldn't, someh
thinking on the train by RoseTintMyWorld, literature
Literature
thinking on the train
As the train made its good, gaining motions out to where all the windows pressed against was black, Eugenie settled into her seat, still buckled and buttoned into her wool coat, still gloved. She noticed that the lights in her car, which had been so warm and welcoming when she had first stepped inside from the cold of the station, had taken on a glaring tone, a fluorescence that began to jar against her eyes, throbbing. She noticed a headache, of course, another. Better catch this one 'fore it creeps, she thought. She roused her heavy-fabric traveling bag up from the floor between her feet and rummaged around in its depths for the Aspirin. Wh
whose voice is your voice by RoseTintMyWorld, literature
Literature
whose voice is your voice
Whose voice is your voice
you product of years
you patchwork men:
whose voice, whose hand
If to see David
is to see a slice of earth
composites of years, layers
of rock accumulated over time
dust hardening to stone
If the arch of your shoulder
comes from one man,
and the supple milk of your song
from another, whose voice
is your voice, where does
the fault line end, and the man
begin? Or are you made entirely
of space-between, composite creature,
is the David who swirls into being
jabbing elbows and tensing neck
in my mind's eye, so clearly
breath and skin and sweat
a stasis formed from static
the breath of many ree
The baby was dead before they got to the hospital. The paramedics knew it and the ambulance ride was slow despite the sirens. When they had gotten to the house, Rachel was unable to move, but wasn't crying. One of them took Henry from where she was holding him against her chest. The other had put two small, white pills in her hand. Rachel lifted them to her mouth slowly, her arm moving through the air as if it was underwater. In the cab of the ambulance, she felt strongly the sensation of moving and standing still at once. They had put Henry's tiny body on a gurney made especially for children, but still ten times his size.
There were two pa
Little sore tender thing,
I would not see your face in me.
For nine weeks I would cast my eyes
count backward through months, deny
you, tumbling bean, in your steaming bog
whose clock chime was my heartbeat.
When finally you could no longer be denied
I would not name you. I would not think
of your face. I was too afraid
of the softness of your skin
your toothless maw, your cat's cry
your sour milky smell, your pulse.
Little clot, composed
of dust, mud, clocks
humming softly, you took
form, from particles whirling:
pomegranate seeds, sweat
smelling of limes, engines
combusting, low roars underfoot
in the car. Books and
suns rise and set beyond the north wall
our fevered, fitful sleep spattering day and night
like clouds breaking. we wake sore-eyed
shrinking from harsh light, rattling lungs
the hollow room. Our bodies and the house
fall steadily into disrepair around us. We watch
from the window. Our creaking limbs
buckle as we rise, unsure
our dimensions in this stagnant space
like dull moss. Light sears and we drop
old handkerchiefs on all the lamps
turn their high whine to a whisper. The carpet
is filthy. We are hungry. We can feel it in our throats
We barely speak. Silence fills the room like rushing water.
We kneel and take our daily brea
Moses in the Clearing edit by RoseTintMyWorld, literature
Literature
Moses in the Clearing edit
on his knees, in the clearing
he knelt his head, sun beating
beneath its weight, his neck
wrinkled and freckling
in the distance the roar
the frightened mass, balls of their eyes
rolling wet in hollowed sockets.
he had cast himself out
a space apart, to sing
a standing, certain faith
with tense shoulders, paced breath
but his voice wavered, words slowed
turned to mud on his tongue
thickened with lisp.
from his gut welled a fear
growing like tides,
the coarseness of sand
on his fingers
he knew through the word
that one exile could not replace another
so he fell down on his face
body shaking on the flat earth
taken up in
Five ways to tell the time
in the room, ten more, or more
in all the others: so many clocks
this tiny apartment teems
with time's procession, its corridors
unsparing, large enough
only for one.
Five ways to tell the time
and only I'm awake to see
four lights to switch and darken
all the rooms, the kitchen, the hallway
as I drift pad-footed over hardwood and linoleum.
Everything's too quiet so
I fill the room with noise
as if running scalding water
to fill a room with steam.
I bring the sounds, to clear me
to decongest. To make the harsh air
a little softer on my aching throat,
straining laden lungs. To shift the weig
suffer not in silence by RoseTintMyWorld, literature
Literature
suffer not in silence
"But, of course, the Gemara itself says that learning Gemara is a masculine activity. Right there in Sota: "Teaching your daughter Gemara is like teaching her trifles". Women aren't included in Gemara-learning, never have been, just as they aren't included in the Minyan. It isn't the Jewish way. Nu, does a woman wear tzitzit or tefilin? The Rishonim knew what they were doing, when they set up those rules, and Hashem knew what He was doing when He guided them. Who in the world do these women think they are, trying to replace traditions thousands of years older than them? It's not a woman's place to be learning Gemara. None of those women are s
I never told this to anyone. I saw it all through a window. I wasn't eavesdropping or anything. I was simply walking in the garden, in broad daylight. No one saw me standing there.
It was Saturday, and the back window on the Morgan house faced out on the narrow strip of rock-riddled green between the house and the dividing fence, its grasses untended and grown long, riddled with flowering weeds. I'd often come through there, ducking in that tall grass, which reached as high as my navel. I'd dig up rocks and take them home to wash and polish and set on my windowsill.
The Morgan house was tall, three stories stacked narrowly up. Its timber w
The dust was everywhere, in the air, in the sounds it carried, making them slow and faraway, like they were covered in cotton. But we all pricked our ears, and the hot iron of our fear seemed to slice through the dust and bring the small sounds closer to us. We had to listen, because they would be listening. They were coming for us.
All of us there, running and crouching, running and crouching. All around us the smell of our sweat and the sun baking the earth. The distant glint of metal on the horizon and the rising dust cloud let us know they were close and coming closer. We'd been told they would be here but hoped that they wouldn't, someh
thinking on the train by RoseTintMyWorld, literature
Literature
thinking on the train
As the train made its good, gaining motions out to where all the windows pressed against was black, Eugenie settled into her seat, still buckled and buttoned into her wool coat, still gloved. She noticed that the lights in her car, which had been so warm and welcoming when she had first stepped inside from the cold of the station, had taken on a glaring tone, a fluorescence that began to jar against her eyes, throbbing. She noticed a headache, of course, another. Better catch this one 'fore it creeps, she thought. She roused her heavy-fabric traveling bag up from the floor between her feet and rummaged around in its depths for the Aspirin. Wh
whose voice is your voice by RoseTintMyWorld, literature
Literature
whose voice is your voice
Whose voice is your voice
you product of years
you patchwork men:
whose voice, whose hand
If to see David
is to see a slice of earth
composites of years, layers
of rock accumulated over time
dust hardening to stone
If the arch of your shoulder
comes from one man,
and the supple milk of your song
from another, whose voice
is your voice, where does
the fault line end, and the man
begin? Or are you made entirely
of space-between, composite creature,
is the David who swirls into being
jabbing elbows and tensing neck
in my mind's eye, so clearly
breath and skin and sweat
a stasis formed from static
the breath of many ree
The baby was dead before they got to the hospital. The paramedics knew it and the ambulance ride was slow despite the sirens. When they had gotten to the house, Rachel was unable to move, but wasn't crying. One of them took Henry from where she was holding him against her chest. The other had put two small, white pills in her hand. Rachel lifted them to her mouth slowly, her arm moving through the air as if it was underwater. In the cab of the ambulance, she felt strongly the sensation of moving and standing still at once. They had put Henry's tiny body on a gurney made especially for children, but still ten times his size.
There were two pa
Little sore tender thing,
I would not see your face in me.
For nine weeks I would cast my eyes
count backward through months, deny
you, tumbling bean, in your steaming bog
whose clock chime was my heartbeat.
When finally you could no longer be denied
I would not name you. I would not think
of your face. I was too afraid
of the softness of your skin
your toothless maw, your cat's cry
your sour milky smell, your pulse.
Little clot, composed
of dust, mud, clocks
humming softly, you took
form, from particles whirling:
pomegranate seeds, sweat
smelling of limes, engines
combusting, low roars underfoot
in the car. Books and
suns rise and set beyond the north wall
our fevered, fitful sleep spattering day and night
like clouds breaking. we wake sore-eyed
shrinking from harsh light, rattling lungs
the hollow room. Our bodies and the house
fall steadily into disrepair around us. We watch
from the window. Our creaking limbs
buckle as we rise, unsure
our dimensions in this stagnant space
like dull moss. Light sears and we drop
old handkerchiefs on all the lamps
turn their high whine to a whisper. The carpet
is filthy. We are hungry. We can feel it in our throats
We barely speak. Silence fills the room like rushing water.
We kneel and take our daily brea
Moses in the Clearing edit by RoseTintMyWorld, literature
Literature
Moses in the Clearing edit
on his knees, in the clearing
he knelt his head, sun beating
beneath its weight, his neck
wrinkled and freckling
in the distance the roar
the frightened mass, balls of their eyes
rolling wet in hollowed sockets.
he had cast himself out
a space apart, to sing
a standing, certain faith
with tense shoulders, paced breath
but his voice wavered, words slowed
turned to mud on his tongue
thickened with lisp.
from his gut welled a fear
growing like tides,
the coarseness of sand
on his fingers
he knew through the word
that one exile could not replace another
so he fell down on his face
body shaking on the flat earth
taken up in
You're sitting in an armchair.
Any soft recliner and it feels old in the room with the television.
The dig ridged cyprus is slowly building in the sand paper stone
and mother is making pastries in the oven.
Outside it is cold. Outside it is the color of a broken heart.
Outside is the color of a spirit world sleeping and dreaming of
divinities in the wind.
Still inside. Soft blankets and the blood running
through you is warm and when it hits the air the artist
in your mind paints it then, a woman rubbing your arm.
An army of fingers sliding along your back. A light kiss on the neck.
New pair of slippers, and a small glass of wi
Listen! It all began when.
way back when. when the skies
were still melted. the trees hot lava
and the bones of man vaccum
sealed. Hotly pressed. Pressed upon
in the kind of way rubber balls react
in a press. or a glass marble.
the colors shooting out. exploding onto
the scene. Onto the workbench. The pieces
recoiling fast. One in each of your eyes.
The holy trinity blinding it's way through
the mighty hale of nothing with the universe riding hot on her heels.
throwing subatomic outerspace. Inner space. cosmic bombards
and booms and batters down to resting
velocities still flying away all lost through
the silent swamp of exis
Oh snap.
I'm back.
Better rope the kids in, I'm on the loose again, and getting more rediculous the more I think I ought to get my mind out of the gutter...
love to the fuckmuffins.
*lana*
Well...I'm far too deep into dissaray as is to take on a second journal....so....if your at all interested...instant message me at GirlAnachronism9 and witness the mental mindfuck that is my blog.
And remember, kids:
Give yourself over to absolute pleasure
swim the warm waters of sins of the flesh
erotic nightmares beyond any mesure
and sensual daydreams to treasure forever
oh, cant you just feel it?